Friday, August 17, 2012

In the Thick of it.

Tonight I worked on my two paintings for Mindy's class. One I was loving and one I hated. Not just dissatisfaction, but a venomous, angry hate. Both paintings are so similar, it is stupid. I realize I hate this girly, tidy, cutie pie character because she is too sweet. The point of the class is to remember our innocent childhood selves and create from that place. To paint for the joy of it and not to fret and edit everything down. I start to think maybe I can't recall that time. Maybe it was too far back. Maybe I was born with worry and mistrust. I think I hate this girl because I never was her. Wearing a frilly skirt with a ribbon sash? The bright colors. She is way too optimistic. Too good. Not rebelling against anything. I collaged in a piece that will become a big white dandy owl with purple boots. It also toned down the brightness and I have hope for it now.



Piece number two, I fell in love with. Really hard. She is a girl with a big, sad, moon face. No hair yet. Sketchy antlers. I saw her carrying a pack on a stick and quickly added it. I put a pink ball in her hand. She is the child I was. Dreaming of running away into the forest. Holding my favorite silly gift from my dad. The Pinky Ball. It was stamped on the ball in fancy script so that was what I called it. When I lost that ball in a monstrous bush of thorns, I cried and tried far too hard to retrieve it. It cost exactly eighty eight cents because it was from Boyd's 88 Cent Store. Dad bought it for me on one of our sporadic weekend visits. When I lost my Pinky ball, I knew I wouldn't be able to bounce it everyday and remember that weekend. I could get another, but I'd had that one for close to a year. We'd bonded. I loved its patina of dirt. I had grown too fond of it. It became my very heart, always in my hand or my pocket. I knew that it didn't make sense. This proof of my melancholy preciousness. It was a mirror of desperate, clinging, sadness.

Similarly, I let myself fall too in love with the deer girl. I got very precious with the lace on her dress and I know she needs hair, but I'm afraid to lose that fragile homeliness that I love about her. She might be too cute, which is what I hate about the other one! I added a house she is running from and a tree. Need more trees. Also, it is getting too bright. So yellow! I want to give her stringy hair. I like to give my characters big noses and thin stringy hair like I had. And slutty makeup and sadness. I might be slightly fucked up, but this is what I need to work out and it feels good right now. Maybe I'm not ready to make those frolicking innocent girls. These are closer than anything I've ever made before anyway.

So, I wrote this a while ago. 6 weeks or so? I never posted it because I didn't get around to adding in the photos. Now I can't find the photo of the finished deer girl with hair, so I'll have to take another. These are the little things that halt me. Little tiny peas under my mattress. They stop the flow and start the downward spiral that end in me feeling like everything is nothing. None of it is anything. What is the point? I hate you, peas. I'm chucking you out. Flipping the mattress over to get at the tiny pea though, that is quite a process. It's worth it though. I carry on.

After the Honeymoon

I've been painting. I've been actually quite good about journaling and making things. Still not where I want to be, but worlds better than before. I thought maybe I should look for another online workshop. I discovered there are a zillion of these things. Many that are similar to what I just took. I can't imagine that many people really want to learn how to paint a pretty girl. I didn't take one of those classes, but so many of them are like, "Hey you funky, arty, hippie lady, come learn how to paint and at the same time you can solve the mystery of finding your purpose and heal all your wounds and be a completely fulfilled person!" Barf!

I believe in that, I really do, but looking at it marketed directly to you as a shiny product is kind of gross. I feel cheap and dirty. Also, I discovered that many people get addicted to taking class after class. They are obviously searching for something they will not find by emulating someone else's art. But just the same, they are obviously getting something out of taking all these classes. Maybe they just feel like they are doing something by signing up. A few people admitted to sometimes not even getting around to doing the work. I feel bad blogging about other people's business like this, but it affected me. Squashed my mojo a little bit.

I don't want to drown myself in other people's style and not be able to find myself under all those layers. However, I don't want to hide from what is out there. I love being inspired by soaking up art. I like finding new techniques and tools and new ways to use them. I just don't want to rely on jumping from teacher to teacher. It's a fine line, I suppose. One needs the community for support and the amazing networking opportunities. However, it sometimes can be too much and become a thing, in and of itself, without much backbone. I'm going to spend some time just creating and challenging myself to see what I can come up with. I guess I'm surprised that my further foray into art has inadvertently made me feel like more of a consumer when my goal was to be productive. As the worn out adage says, there are two sides to every coin.

Monday, May 14, 2012

On a Roll

I have been participating in an online painting workshop called, Paint Your Story. Mindy Lacefield is our instructor. It is so much fun! In this class we are reconnecting with our 7 year old selves and loosening up our control, being free and just painting from the heart. We are also learning some fun shading techniques and using bright colors. Honestly, between this and whatever clicked for me at my second ArtFest, I am the happiest I have ever been. I feel strange saying that. I said it to a friend, out loud, the other day. It felt so bizarre to say. People can get so comfortable in the habit of complaints. It seems like such a huge statement. It's because I'm creating every single day. Almost, anyway. When I wake up in the morning, I'm excited about what lies ahead. For some reason, I'm not as worried about things working out. I have faith. Me. *I* have faith! I never have faith.

I have been re-watching Twin Peaks. It is a bit of a crazy experience. The first time I watched it I was 15. It was on broadcast television before Tivo and Netflix. My friend would tape it, and we would study the episodes at her house. It is such a nostalgic experience, but it's a nostalgic show. Everything feels like a half forgotten dream. It was taped in the 90's with a 50's feel. It's romantic and ridiculous, and I just love it. It makes me laugh and cry, and I love that I still love it. It's such a part of me. It is perfect that I'm watching it right now, while I'm reconnecting with my whole self. The self that loved this show when I was an angsty teen. I used to stay up half the night making art. I'd paint my face and take self portraits. I'd dress all crazy with one of my best friends, and we would go out and pretend we were tourists, talking in a made up language. We would steal things. Dare adults to confront us. I snuck out my window in the dark, just to feel the darkness. The hum of the street lights. We would drink in the woods. Dare our bodies to keep up with our hearts. Scratch ourselves until we bled. We may have been stupid, but we were fearless. My only fear lived inside my house and I seemed to think that anything happening outside of it was something I could deal with as long as they didn't find out. It is a theme that won't die in my life. The childhood I had compared to the childhood I am giving my kids. Trying to both shed it and appreciate it.

Naia's reading seems to have clicked a bit more. She doesn't love math, but she isn't completely flipping out when we do it. As always, she is curious and vibrant and in love with life, critically thinking about every little thing we encounter, so I am not so worried about her being on her own time table. Josie is having fun at school and is very best friends with a few kids in our neighborhood and I think summer will be full of play date swapping, impromptu sleepovers, bike riding, and all sorts of childhood perfection. Our house is shit, as usual, but it could be worse. We aren't in a 3rd world country. Our mortgage is fairly cheap. We have all the important things.

I might actually try to dig out my bravery and bust out some stuff to sell at Last Thursday. I can attach all my fabric flowers to ponytail bands, make a bunch of underwear, and if I tape up my hula hoops, I could sell them too. If I sold hula hoops with bootie shorts, Oh My Golly Gosh, that would be fun.

Thursday, April 12, 2012

ArtFest Afterglow

I really need to get my ArtFest thoughts down before they all fly out of my head! It is nice being on the Facebook group because I can read everyone else's blog posts and see it through new eyes. I truly am saddened that this was the last year. However, I feel so blessed that I discovered it in time to attend the last 2! It feels like the stars aligned to get me there. It happened at a time in my life when I could afford to do it, my kids were old enough to be without me, and I was already in the frame of mind to work on myself. A friend asked me to go with her and then she changed her mind but my mind was made up! It had become my own personal spiritual retreat. I will have to find a substitute for next year. I went alone both years, and for me I think that was an important part of it. I've always been introspective and introverted but not shy. There was an abundance of beautiful souls to connect with when I wanted, but none that expected anything from me. I felt so grounded and confident in who I was. The first year I had that nagging voice in my head saying I was a phony, pretending to be a "real artist" when I was just a wannabe. This year, I was in a place of really accepting myself and being happy and grateful for where I am on my path. Returning this year helped me see how much I actually have grown.

Last year was my first time, and I had my stuff packed probably 2 weeks in advance. I was giddy and weepy and just chomping at the bit. This year, for some reason, I almost wanted to skip it. I forgot to mail in my second payment (I thought I had, but I either lost it or the check got lost in the mail.) Either way, I thought maybe it was a sign. Maybe I shouldn't spend the money. At some point I realized I was being overly hard on myself. I felt like creatively I hadn't made very much progress since the last ArtFest. I expected that I would have accomplished more. Made some huge life changes or something. There was a bit of me that thought I didn't deserve to go. I recognized that bit as being the horrible nasty beast within that needs her ass beat down now and then, so I pulled myself up by my bootstraps and committed to going. I packed all my stuff in the 2 days before I left. I even got up in the middle of the night and banged out 42 fabric flowers for trades, which I didn't do at all my first time.


I feel a wee bit bad because I passed up a few requests for a ride share. I traded the opportunity to make new friends, extra gas money and saved carbon emissions for 4 hours (each way) of peace in the car! What if the person was an energy drain? What if they hated my music? What if they had to pee every 30 minutes? So I went alone. I really relished it. I sang at the top of my lungs to all my favorite songs. I stopped at a Kwik-E-Mart in a podunk town for bad coffee and people watching. It was a good call.

Here's a little anecdote from my drive. A couple weeks before I left, my mom told me a strange thing had happened to her. She saw the end of a rainbow. Quite literally, it was 10 feet away, right next to her in a field. I chalked it up to another of my mom's woo woo, hippie, chakra, crystal, faerie things. She is very much into all things metaphysical. It's to the point that I get a little eye-rolly at stuff I would normally be fairly open to. Anyway, as I'm driving, it is sunny and raining as per usual for spring in the Pacific NW. In the field next to the highway, sure enough, there sits the end of a rainbow. Right next to me, glowing up the field like a disco. Stranger still, I could see the other end off in a field farther away. As I drove on, eventually the end of the rainbow shifted and occupied the lane next to me. I was starting to get a little shaken by this. It was just so surreal. But then, I drove straight through the rainbow!  There was so much mist in the air, and it was so sunny.  I was surrounded by all the bright glowing colors. I could hardly see the cars in front of me because everything was so illuminated. I felt like I might get sucked up into it and wind up in a strange land, like Glomer from the Punky Brewster cartoon, or Rainbow Brite. Very bizarre! I now declare, I've been kissed by a rainbow. My mother is thrilled.

So, fast forward to ArtFest. I didn't take many pictures, so I'll just blab. My room was in the same building as last year. 202, but I only had 1 roommate instead of 3. Cindy from Tuscon. She was the sweetest! Every night we would chat and when she started to yawn, I would slip out and not return until 1 or 2 a.m. I just hope I didn't wake her when I snuck back into bed. How could anyone want to sleep!? There were people to meet and projects to be done. I brought my sewing machine and worked on my lingerie class homework. I finished up the jacket I started in December. I thought I would paint, but after intense classes all day, I felt like I needed a break from those projects. I did some writing and mindless coloring. Friday night I went to the bonfire and talked to old acquaintances from last year, roasted myself a hotdog and drank a PBR, took in the bubbling excitement around me, met my soul sister who I had so much in common with and am excited to keep in touch with (and also turned out to be staying right next door to me), made some wonderful new friends, was serenaded by banjos, and stared at the surf. On the walk home, I realized I wasn't quite ready for bed, so I took a detour and went for a midnight stroll around the officer's houses. I wanted to let my mind wander and my thoughts settle into the places they needed to be. I absorbed the stars and the chill in the air. I savored the insignificant vibration of my minute body plodding against this massive earth. I pried apart the layers of shadows and light. I was floating in a bubble of safety and possibilities. Free. Being in a mountainous place butted up against the sea, surrounded by happy, grateful, inspired, creative souls is pure magic. I met so many absolutely lovely people. The energy was positive and powerful. These feelings, more than the techniques I learned, are the things that really stick with me.



Jesse working on the demo.
Onto the classes! I took Jesse Reno's 2 day painting workshop, "Freedom to Create." It was one of the classes that scared me the most. I took it to shake myself up. I haven't painted on a regular basis since my oil painting classes in college. I loved them, but I sure don't consider myself a painter. I knew there would be "real" painters in there. But from what I knew of Jesse Reno's style, he would take us outside our comfort zone and make us really face ourselves and Hell Yes, I wanted in on that!

Sewing is my main passion, but it can get really damn crafty and kitschy, as well as stuffy and perfectionistic in that realm. I don't hold much love for that craft-kit/perfectly-mitered-corner feeling, and I have been wanting to open up and pull more artistry and fearlessness into my work, so I felt it would be meaningful. It resonated for me in many ways. One of the paintings I worked on started to click and I had that out of body, in the zone, amazing feeling where it's just coming through me. I live for that. But then, I came to a wall and had to decide where to go from there and how to wade out of the muck, and that was amazing too! He gave me some good feedback that felt very validating and gave me some helpful suggestions. I don't know if I've ever met anyone who says "dude" so much.  It's cool though. He is adorable and giggles randomly! He reminded me so much of Naia, my 9 year old daughter. I think they would get along famously. I say that as a compliment to them both. Amazing raw spirits.
Jesse's finished piece.

Two of my pieces. Step one: creating a layered ground by painting with your hands.
My paintings at the end of day 2. Left is nowhere near finished. Right is almost there.  

On the last day I took "Wild Things" with Clarissa Callesen. We made frankensteinish creatures out of porcelain doll parts, found objects, and stuffed animals. I was so looking forward to this class. It was fun and playful and light. I'm comfortable sewing and doing 3 dimensional work, (and we got to use torches!) It was a nice change from the inner turmoil and challenge of the previous two days. Torching pretty doll faces and scorching teddy bear fur is addictively fun! I love the little beastie I made. My grandma called her a changeling. She's right. The poor dear was left out in the snowy woods and needed a metamorphosis so she could drag herself out. I think she's still a little too cutesy.

Clarissa's amazing face painting skills, up close and personal. Too bad I forgot how to focus.

On Sunday morning, before I hopped onto the highway for home, I went down to the beach and happened to discover the old Kinzie armory. It was deliciously hollow and creepy. Nobody else was there, the surf was booming loudly just over the bluff, and I had to tear myself away from all the textures, colors, and gorgeous weirdness. Anywhere graffiti had been was painted in over in these random blotches of color. The huge, looming, starkness of it, and it's purpose... All the sharp corners, and the lack of anything to soften it other than moss, rust, and slime mold really sucked me in. I didn't want to leave but, a tiny logical voice was nagging that it's maybe not the best place for a gal to be all alone. Here are some photos I snapped. 




The puddle! No, I did not go in there.


Mold? Fungus? Perfect place for a fashion shoot.

 
Driving home. Sun, snow, and mist.

My favorite keepsake. The ArtFest manicure. I resolve to work to maintain it.


Wednesday, February 8, 2012

Catch Up

Dearest Blog,

Please accept my apologies.  I forget about you.  I only use you when I need you.  I feel no loyalty.  This is a one way relationship.  You'd totally break it off if you could and go hook up with some hipster sewing mommy blogger who keeps her weekly blog dates and appreciates you for taking it all and never asking for anything in return.   You are like my high school journal.  I only come to you when I'm sad.  I'll try to be more giving in the future.  I will do what I can to try to stop double spacing between sentences, but that's a hard, hard habit to break.  I hope you sang that last line to yourself. 

Just to make myself feel good, I will now list some accomplishments that I mentioned starting earlier.  I finished the vest, but it needs some tweaking which requires ripping out hand stitching, trimming seam allowances and possibly fiddling with the darts.  But I have worn it twice.  It just isn't perfect enough.  I finished the stripey skirt and the hideous muppet coat.  I even have pictures of Rose wearing it at Burning Man, which is honestly, pretty amazeballz.  I may never get there, but my work has been liberally covered with playa dust and fire singed.  Also lost and returned and wept over.  Ahhhhh.  I hemmed Jen's bridesmaid dress.  Not very satisfying other than the fact that I think the finished product looked pretty darn professional, I was glad to save my lovely friend some dough, and she repaid the favor by taking my children to the park so I could sleep off my hideous flu.  So good!  Silver lining #2 in that situation was that I actually accepted help.  It is so hard for me to say, "Oh yeah sure, come save my ass.  I feel like I was hit by a truck."  Usually I hear, "Oh no, I'm fine" coming outta my mouth before I even know what happened. 

Now I'm working on a jacket for myself.  I think it's going to be pretty cool.  Still need to make a top to go with the skirt.  I mended a bra strap yesterday. 

I've made some decent strides on the violin.  My old practice videos are painful to watch.  More painful than the current ones, which are still painful.  Better though.  I think I need to cut back to every two weeks.  It has been working out that way anyhow for whatever reason.  Illness, teacher playing with the opera, whatever.  It is nice that it's flexible.  Every two weeks gives me enough time to take a couple sewing days a week and not feel guilty.  Not guilty, per se, but like I need more practice time.  Although it also gives me that much more time to practice something wrong and then it's permanently ingrained into my muscle memory.  I haven't had the heart to tell Luke though.  Every time I think I'm going to tell him, he puts lots of thought and effort into something or tries to teach me how to breakdance, or gives me one of his long drawn out monologues about the history of music theory and what it all means mathematically and I just can't do it.  We've talked about how I wish this was part of something more meaningful though and how it feels kind of silly and frivolous.  If I was playing with other people, in a band or an orchestra, I think it would be more satisfying and I would learn more.  He thinks I should pursue that, but I just don't have time in my life.  And I'm a full grown adult beginner.  Nobody knows what to do with that. 

Lately I've been playing the violin parts in recorded songs so I can play along with music instead of just playing alone with nothing to go off of.  Sometimes when I play a solo violin piece, I don't like the song very much, so I memorize the notes and start playing it faster just to get through it.  I'm missing the musicality of it.  I am fully aware that I'm doing that.  It's just hard not to.  And there is so much nuance to master.  The bow can do so much, and I don't have that down yet.  I do love working on it though.  Sometimes it feels extremely selfish though, and I don't even have time to practice with a band or an orchestra, so I'm a little bit afraid to get better.  I feel like I'll get better and then get bitter.  My fear of success, it is such a beast.

I have a full page-long list of creative projects that I've started or want to start.  It is really bad.  I am committing to finishing what I start, and realizing I need to get more organized.  I'm never going to be the kind of person that does one thing at a time, but I have to make some of my big ideas actually materialize.  Adult ADD or just scatterbrained, disorganized, creative weirdo?  Who knows.  I'm off to organize my page of projects into categories and then prioritize them.



Monday, October 17, 2011

Floating

I was so excited to check out the sensory deprivation tank.  By the time my appointment came around, I was kind of freaking out.  I felt like my whole body was vibrating.  I was thinking a thousand miles an hour.  Thinking about what I wanted to think about, thinking about my day, making a mental to-do list of what I wanted to get out of this experience.  It was really hard not to at least have a song in my head. I don't know if my anticipation had anything to do with it, or if I just had too much coffee and thyroid meds beforehand.  Either way, when I finally let it all go, the whole experience was amazing.  I didn't know what to expect, but since I love getting lost in my own head (gotta love introverts), I had high hopes for it to be helpful somehow.  It really was.  Afterwards, I felt more clear, more centered, more myself.  It was like lucid dreaming in that it was a mental challenge, but I had less control than I do in lucid dreams. I've had a whole lifetime to practice dream control though, so maybe subsequent visits to the tank will be even better.  When I'm having a lucid dream, I can direct the dream to go almost however I want.  I can decide to walk through a door, or change the atmosphere, or talk to a certain person.  But if I try to control too much, the dream vanishes or I wake up.  This was like that but I had to quiet my mind entirely.  I really had to just be an open channel and see what came into me.  When I thought too much about what I wanted to see, or what I was seeing, I'd lose it.  I'd get stuck in my tangle of thoughts and then I'd become more aware of my body and all the magic would be gone. I think the language center of my brain is super active. I was mentally writing what happened moments after it happened. Redundant and strange, I know. It was hard to shut that down and be only receptive.

My tank was the original old one that the owner built himself. The hippie dude at the front said it was the lucky tank and he had his best experiences in it. It was painted black, and seemed kind of old and gross. Chipped edges on the wooden door. No handle to open it from the inside. Only a notch at the edge that looked like somebody clawed it away with their nails. I kind of liked it though. It had soul. The other ones looked very clinical, clean and white. When I looked into the black water, it looked like a bottomless pit, but the water was only about a foot deep. They give you wax earplugs, a floaty neck pillow, and Vaseline to cover any scratches or sores because the salt stings. I used them all, stripped, climbed in, and shut the hatch. I was a little worried about the pitch black because I get a little freaked in the dark sometimes, but I was fine. It took a little while to get comfy and relax. It helped to put my arms up over my head because my elbows bent out and floated at a strange angle when they were at my sides. Anyway, after 10 minutes or so (I suppose) I felt like my whole body had fallen asleep.  I was all tingly and I was both more and less aware of my body.  Then I started feeling like I was wrapped in a cotton ball.  If people can vanish, I'm sure this is what it feels like. Soon I could have been floating in air, tipping and slowly rotating sometimes but not to the point of being disorienting. My breathing became extremely slow and shallow.  I focused on my it and then only my heartbeat, and then I was just somewhere else.

My first visions were very elemental.  It totally makes sense that my mind went to that place.  Floating in water with no external stimuli, divorcing myself from my body. Of course I'm going to contemplate my place in the universe and all that stereotypical hippie earthy stuff.  This was extreme though.  My emotional reactions and the physical sensations I was having were intense.

It started with swimming in the ocean.  First I saw huge barnacles extending their feather tongues and I was feeling them. They were licking me and then they were holding me up.  A mermaid zipped by, really quickly.  So cheesy.  But then I was swimming with this huge, purply-red octopus. I was staring into one of its giant eyes, and it was blobbing around like octopi do.  It put its tentacles around me and the whole time l was looking into its big eye and we were just taking each other in.  I was feeling its skin.  It felt harder than I thought it would, and I licked one of its suction cups and felt bad that I've eaten them. Mmm, sushi.  I felt extremely connected to this giant beast. It was so gentle and huge.  A woman appeared.  Some kind of ocean mother-goddess or something.  She was enormous.  She cradled me in her arms and breastfed me.  It didn't seem weird. Obviously, I have some unresolved mother issues.

From there I went to the surface.  Not the beach though, I was in the middle of the ocean among the giant waves.  It was the middle of the night and the waves were huge and angry.  The wind was blowing cold, harsh, with a stinging spray.  There was a man standing on a little canoe type boat.  He was furious.  At me.  This storm was directed at me.  I didn't know why nor was I concerned to find out.  The man was glaring at me with his face all contorted in disgust.  I didn't care though because the cold wind and all the power and fury of the sea around me felt so amazing.  I was thankful.  

That may have been the first time the kiwi bird made its appearance.  About different 3 times throughout my float, a kiwi would pop into my field of vision and look at me.  That was all.  It would pop up, look at me, turn its head, peck around.  It was really confusing and interrupted whatever else was going on.  It was like someone had changed the tv channel all of a sudden.  I tried to shoo it away because I was irritated by the distraction.  I didn't feel any connection to this little bird.  It wasn't doing anything or telling me anything.  Just bopping around.   

That made me start thinking too much and my visions stopped.  Wondering, " Why this flightless bird?  Where did it come from? What was the point of that?" I would find out later on.  

After a bit, I found myself sitting in the treehouse I built when I was about seven years old.  I saw my body from above, sitting there.  It was me in the present, not as a child.  My treehouse grew around me until it was an actual house instead of the sticks and twine lashings I had put together as a child.  The roof was open to the sky.  The tree grew taller and taller, far above all the other trees.  Now I was seeing it from my own perspective inside the house.  I was sitting on my favorite perch where I always sat, but laying flat on the floor, looking out the roof.  The sun was shining and I was soaking in every bit of energy from the sun. My body was like a solar panel.  The chlorophyll in the grass beneath me was glowing, like an infrared photo, reflecting the sunlight back up to the sky.  We were in a sphere of light.  Outside the bubble there was darkness.  Darkness and badness.  A story started to unfold in the back of my mind.  I need to write that too.  The sun slid out of view and the sky grew dark.  The stars came out and started to rain down on me.  I was afraid they might burn me, but they felt like snowflakes, so I caught some of them on my tongue.
I heard, "This is your strength."  I thought of who I was when I was 7 and I built that treehouse, and it made so much sense. What I needed and what I never had, and everything else. It was so simple.

I saw glimpses of things.  Significant moments from my life.  Images I've never seen that I want to make.  I saw a woodcut of a middle-aged man hanging his arm out of the window of an old pickup truck.  I saw it as a black & white print, but the guy is a character with a backstory that came to me along with the image.  I'll have to write that out separately.  It goes along with the bubble of light.  In part of it my mom, or the mother character in the story is frozen and shattered.  The dad takes a piece of her and leaves to live alone in a deep cave beneath an ice tundra so he can keep her forever. 

I started to become aware of the salt crystalizing on my stomach.  I rubbed it and it felt really cool, but made me itchy and then I wished I hadn't touched it.  Then I felt the water droplets running off my stomach where I'd rubbed it.  I would go back and forth between enjoying playing with the physical sensations and feeling like I was running out of time and needed to get back out of my body as much as I could.  Like when you keep looking at the clock because you know you have to get up soon and you don't have enough time to sleep, but you need to get to sleep!  I didn't need to worry about that though.  The 90 minutes felt like 3 hours.  I started wondering if they had forgotten to turn on the music when the time was up, or if there was an electrical malfunction with the speakers.  The thought crossed my mind that I might be fried, or I guess boiled, since salt water is such a good conductor of electricity.

After that I saw a man working in a field somewhere.  I heard music. Seemed like it was somewhere in South America.  He wore a hat and a red button up shirt and had one dark tooth.  There were tons of other people working on the farm too. Women and children as well, but he was the only one I really focused on.  He seemed happy, which was surprising.  Then it was night time and everyone was dancing to some street musicians.  There were colored lights hanging up.

I had a very physical experience of being an oak tree.  I realize how completely trite and ridiculous that sounds.  Like a yoga pose or a kid in an elementary school play, but this just felt so huge and complex.  I don't know how else to say it.  I felt not just grounded, but wound into the soil with root systems plunging far down into the earth and crawling outwards for a whole city block.  The strangest part was the physical/spatial sensation of being so enormous. Of existing down in the earth and up in the sky at the same time.  Blowing in the wind...being so strong, yet still flexible and always at the wind's mercy. Being both solid wood and tender leaves. My leaves were like a compound insect eye.  Each leaf was its own eye, so I could see in all directions.  I also had this amazing sense of place from observing my plot for so many years, and seeing people come and go and live their lives. I saw how things changed or didn't change around me.  I was aware of my mortality and vulnerability too.  I knew I could be used as a resource, but also felt like a member of the community. It was strange how suddenly this vision came about. I was plunged straight into it, and then had to figure out what this feeling was. It was kind of shocking.

Then the music came on to let me know my time was up. When I sat up, I still felt like a giant.  A giant made of black negative space. The change from being out of my body to coming back into it and moving myself around was pretty disorienting.  I got salt water in my eyes and that really sucked.  Blindly groped my way to the shower to rinse it out.  I felt extremely relaxed and rested.  Way better than after I get a massage.  When I get a massage, I have the other person's energy to deal with.  Sometimes that's really good and sometimes it is strange, but it is always there and means I have to deal with it in some way.  On the drive home, I was very aware of the lights inside my car and the noise the tires made on the road.  It almost felt like it wasn't my car because it didn't feel familiar like it usually does.  I slept really well for a week afterward.  I fell asleep earlier than normal, which is very weird for me.  I remembered my dreams every night.  I think I still feel more centered and calm two weeks later.  I'd like to do this every year around my birthday.  Seems like a good way to reassess, reconnect, renew. Re-everything. Reading through these visions might not seem that impressive, but it was really emotional, visceral, and real.  I cried in there.  I heard things I needed to hear.  It made me feel more connected to myself and to whatever I need to be connected to.  Even if I don't even know what that is.  

When I was telling Mahlon about my experiences, he explained the kiwi.  Maybe an hour before I got into the tank, he spent some time with his grandma.  She gave him one of his grandpa Jack's old watches.  The watch was in a wooden box his grandpa brought back from New Zealand with a kiwi inlaid in the top.  He thought that was strange because earlier in the day he had been having a conversation with our friend, David, about bolo ties.  I don't know how that came up, but he mentioned he had a bolo tie with a kiwi bird on it but hadn't worn it since he was a kid.  David didn't know kiwis were birds!  He thought they were only fruits, so Mahlon had to explain to him what a kiwi bird is. Kiwis were a strange theme in Mahlon's day.  When I told my mom, she wondered if that was Mahlon's grandpa trying to send him some kind of message from the other side or something.  I don't think that really makes sense.  I think it was just a connection between our minds.  Either way, that is freaky weird stuff. I love it!

Back to the world of external stimuli, until next year.


 

Saturday, July 30, 2011

FAIL

What is my excuse? Summer? Violin? I don't know, but this is totally lame. I haven't kept up with my idea of weekly updates at all. It's been almost 2 months. Oh I am SO bad at following through. Sad face. Boo to me.

I have been procrastinating making a coat for my sister that I think is just hideous. I am a selfish seamstress, and I really only like to make what I find desireable. If you ask me to make you something, I will do it, but I will hate every single minute of it. Unless it was my idea. My design. My fabric choice. Everything. Mine, mine, mine. I am selfish. I don't want to make this giant, bathrobe shaped, dusty rose, faux fur coat. I'm not making that up. That is my current road block. Me no likey. I'm determined to just bang it out and be done with the damn thing.

So my vest sits with its buttons all in a pile waiting for holes and attaching. My stripey skirt fabric is dying to be flouncing and swirling around my ass in this gorgeous summer weather, but it's just sitting there next to the skirt I'm going to reverse engineer. And the bolero-ish jacket pattern doesn't even have a fabric to go with it. Oh, and I have a lovely piece of coral that I found in Puerto Rico that really wants to be a pendant. It looks like a tree and wants wire wrapping.

But, I have been making the strings sing a bit better, and did a wire sculpture that is almost ready to be given to some friends. Even mounted in into a block of wood that I painted. I reorganized some stuff in the house and it feels a lot more functional. I must focus! I must have some sewing time. It seems I must eek it out in the wee morning and late night hours, and I've just been resisting that.

Goals for this week:
1. Adjust the shoulder seam, and finish drafting the collar piece for Rose's fugly coat. Cut the final fabric.

2. Vest buttons on!

3. Finish sculpture.

Next week:
1. Stripey Skirt! May need to buy a zipper.
2. Design shirt to go with it. Use the white dot lace.